Turning Tables is an international NGO committed to establishing, and maintaining permanent musical production facilities for DJ’ing, rap, and beat making for marginalized youth in the Developing World. “The aim is to start a process of reflection and self-empowerment by giving youth a space where they can express their travesties, hopes, and dreams in a non-violent manner,” says Turning Tables Founder and Director Martin F. Jakobson.
In 2009, Martin was living in Beirut, and began working in several Palestinian refugee camps across Lebanon. Since then, Turning Tables has expanded its work across the Middle East to Tunisia, Jordan, Libya and Cairo, alongside establishing a presence in Haiti and Cambodia.
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Beyond merely conducting workshops to educate youth about musical production, the organization has branched into workshops video production and has collaborated with local music festivals to further enhance the youth’s experience, and empowerment. Turning Tables also commits itself to the training of local staff, to ensure their facilities remain operational with the intention of self-sufficiency down the road.
Currently, Turning Tables is conducting an international online fundraising campaign for Cambodian street youth, many of whom are former child prostitutes. “Our expectation is that, with the fundraising campaign, will be able to train about 800 vulnerable Cambodian kids for a year, and create a strong outreach program to reach more at-risk youth.” — Martin Jakobson (Founder + Director)
This photo essay takes you to Turning Tables on site locations of Tunisia, Haiti, Libya, Cambodia and Egypt, displaying the many areas, and countless youth who have been powered through their inspired mission. Connect with Turning Tables here, and check out their crowd funded effort for the Cambodian youth on indiegogo.
ANDREW BRIDGE is a global enthusiast with a passion for the road less traveled. As a frequent collaborator with World Hip Hop Market and Nomadic Wax, Andrew has worked with numerous socially conscious artists from around the world in the pursuit of inspiring cultural understanding and exchange through entertainment. This fascination with the world at large has taken him to over 20 countries (so far) through studying, volunteering, and writing about his travels, with no signs of slowing his globetrotting nature down. Connect with Andrew at @Bridgin_TheGap
What will your feet wear today? … sneakers, wedges, sandals, heels, or flip-flops? A daily decision we so often take for granted. Shoes are a luxury we don’t give much thought to. For many children shoes are not an option and all across the globe children and their families unwillingly go barefoot every day.
The thought of going barefoot on our way to work, or to the grocery store, immediately sparks a few questions in our mind. What will my boss think? My coworkers? The grocery clerk? My friends? This is exactly TOMS’ intention. TOMS’ goal in starting the ‘One Day without Shoes’ campaign was to get people talking. They believe that it’s easy to get people talking, but harder to get them talking about something that matters. Their goal was to have people from all over the world go barefoot.
People from all over the world pledged to go shoeless with TOMS on Tuesday, April 16th. Last year over 3,000 events were held in over 50 countries. The campaign was trending on social networks. Within all 50 states and Canada, over 500 college campuses participated in the campaign. The One Day without Shoes organized events that take place all over the world have rapidly grown over the last several years.
Their goal was for conversation over the bare feet to explode and create positive change. Their goal in getting people to go bare foot all over the globe is to spark curiosity, conversation, action, and change in all those who come in contact with your bare feet.
TOMS’ campaign centers on awareness for children’s health and education issues. They not only intended to spread awareness on the impact a pair of shoes can have on a child’s life, but to also draw attention to the health and education issues that are impacted by a pair of shoes.
How does going barefoot raise awareness about health issues? Hookworm is a soil transmitted parasite that affects an average of 740 million people worldwide.
How does going barefoot raise awareness about global education issues? In many schools shoes and clothing are a requirement to be able to attend school. By providing a child with a pair of shoes you can not only increase school attendance, but you also assist in raising their future potential earnings by 10%. One pair of shoes can also help raise a child’s self-esteem and give them the confidence to walk proudly into school.
Google, Kind Healthy Snacks, HGTV, AOL, Discovery Channel, Just Wink by American Greetings, are just some of TOMS’ major partners that have stepped up to help raise awareness by participating in the One Day without Shoes campaign.
TOMS’ also utilized the social networking platform, Thunderclap. Thunderclap allows people to come together for one cause via multiple social networking devices. Thunderclap automatically posts a message on either Facebook or Twitter of all those who signed up to participate, at exactly 9 a.m. on the day of the campaign.
TOMS’ goal is about more than a pair of shoes. By raising awareness on health, education, and other global issues, TOMS hopes to break the poverty cycle.
Check out the feet that took a major step out on April 16, 2013 by going barefoot.
JESSICA LINK is a writer and on-camera host. Her work focuses predominantly on travel, culture, and leisure. She’s trekked all over the globe, but feels there is no place like New York City. She has a passion for working with underprivileged children. Travel, cinema, and dining al fresco are a few of her favorite things!
For more information: www.onedaywithoutshoes.com TOMS even provides a downloadable pocket card to help you share the facts behind your bare feet!
100cameras is an NGO that empowers marginalized children around the world to document their lives through photography, and thereby create positive change in their communities. 100% of the photography sales go back to the children’s communities. Here’s how it works: 100cameras gives a camera to Jackson in South Sudan. Jackson snaps a photo. Then you buy his photo on the 100cameras website. 100% goes back to Jackson and Jackson is empowered.
In 2008, 100cameras launched it’s first project at St. Bartholomew’s Orphanage in Kajo Keji, South Sudan that serves as a home to 80 children who lost their families during the brutal 21-year civil war. The orphanage was founded by IWASSRU (International Widows Association for Southern Sudanese Refugees in Uganda), a group of Sudanese war widows that banded together to care for refugee orphans. 100cameras funds lifeline supplies, such as protection and access to food, water and medicine. More
To date, the sale of the children’s photography has raised $17,000 that was used to build a fence around the campus, protecting them from the rebel forces in Sudan, and has provided critical maintenance for the truck that transports all food and medicine for the children. $17,000 is four times the average annual income in Sudan!
You can purchase a child's photograph on the 100cameras website and 100% of your purchase will go directly to IWASSRU to provide lifeline supplies and shelter.
This photo essay is a small selection of the more than 200 photographs of South Sudan taken by South Sudanese kids, as well as projects in other countries around the world.
Connect with 100cameras and purchase images of their kid photographers here. Check out their crowdfunding campaign going on now here at WEDIDIT.
BEYOND THE SANGAM, BROADER PERSPECTIVES ON THE 2013 MAHA KUMBH MELA
The Maha Kumbh Mela at Allahabad in Uttar Pradesh, India happens once every 12 years with 2013 being considered the most auspicious gathering for 144 years. Allahabad, situated at the confluence of the Ganges and the Yamuna rivers is complimented by the mythical Saraswati river to form one of the most sacred places in Hindu belief and philosophy. A dip at the intersection of rivers known as the Triveni Sangam is considered to purge sins and assist one on the path to Moksha (liberation).
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A “pop up megacity” as a research team from Harvard called it, the Kumbh Mela is well known for its spectacular gatherings of pilgrims and congregations of saints, seers, philosophers, gurus, preachers and disciples. An estimated 80 to 100 Million people visit during the festival’s 6 week duration beginning in mid January with the most auspicious bathing days attracting more than 7 million bathers along the banks of the rivers.
Although most media attention focuses on the rituals at the Sangam (most sacred bathing area) the temporary settlement is over 20km sq km and is one of the most complex event planning undertakings on earth with a transitory residency larger than the population of a European country with the supply of electricity, water, basic sanitation, food and a dedicated police force of 30,000.
Temporary tents encampments form the core of the city with specific areas referred to as ‘Akharas’ housing the infamous Naga Sadhu contingent. This documentary intends to show the broader context of the event beyond the media frenzy surrounding the acts of devotion at the Sangam, revealing the wider perspectives of acts of pilgrimage and life in the “pop up megacity”. — Shaun Fynn
SHAUN FYNN is an acclaimed designer and photographer with a long history of advising and creating for Fortune 500 companies, NGO’s and startups. Since founding STUDIOFYNN in 1997 he has lived and practiced globally including the UK, Italy the US and India working in the areas of design, design research, design education and photo documentary.
The front lines of the Syrian Civil War trace through alleys and ancient streets in the Old City of Aleppo. Defending these lines are young men, most less than two decades old, carrying AK-47s and homemade grenades. They have no military training and will not wear body armor for fear of delaying the time of death anointed for them by Allah. They are kids and recent college graduates who picked up guns for their country and, most of all, for revenge. All have lost friends and family to Assad.
These young men are warmhearted and hospitable, but daily burdened and degraded by the fighting. Every fighter I met had a different story that brought him to Aleppo; this project attempts to tell those stories. — Cengiz Yar
CENGIZ YAR@cengizyar
Based out of Chicago, Cengiz is a documentary photographer and freelance photojournalist whose work has been featured in publications around the world. His photography focuses on human conflicts, both violent and peaceful, and aims to encourage understanding by fostering interest and making the alien familiar.
How much food does your household go through in a week? What are your go-to family meals? And how much do you spend on food? You can get a glimpse of how others answered these questions in Oxfam’s new photo series, which depicts people from around the globe with one week’s food supply for their families. More
As you can probably guess, the families’ diets differ depending on where they live. But if if there’s one common thread that links these images, it’s that we all have to eat. We all face challenges and successes when it comes to feeding our families. And we can all help to make the food system fairer for everyone.
So check out seven highlights below. Then tell us in the comments: What does your week’s food supply look like? How does your family measure up?
ANNA KRAMER is a writer at Oxfam America, a global organization working to right the wrong of poverty. Based in Boston, Kramer is also the editor of Oxfam America’s First Person blog, where this post originally appeared. Find her on Twitter at @annakramer.
When Elizabeth Tulsky participated in NYU’s study abroad program in Ghana, she also independently volunteered with City of Refuge, a local organization that uses education as a tool to combat child slavery. She said of her experience that it had “a tremendous impact on my life and what I want to do in the future.”
In Ghana, children are often enslaved, maltreated and many mothers struggle to see their children as more than a financial burden. While there are no statistics on the actual number of children trafficked, estimates are in the thousands. What is known is that 25% of Ghanaian children ages 5-14 years are involved in child labor. Child labor and human trafficking are both against the law in Ghana, however, laws are not enforced.
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City of Refuge fights against child slavery by educating small villages about the harms of keeping children out of school and depriving them of a childhood. The organization is founded on the belief that if they can empower single mothers educationally and economically then they will no longer be vulnerable to selling their children as slaves.
Can you tell me a bit about City of Refuge and the work they do?
City of Refuge workers enter villages and open discussions with the chiefs in a respectful manner and work to free children who are in dangerous and/or miserable conditions and separated from their families. On a daily basis, City of Refuge provides home, happiness, and sanctuary to many rescued children. Furthermore, City of Refuge runs the only public school in the city, Doryumu. The organization works at the root of the problem, beginning with single mothers. Many children end up in slavery because mothers simply have absolutely no means of supporting themselves, much less their young children. Selling them, as hard as it may be to believe, truly seems like the only option for many women. Thus, City of Refuge works with single mothers to find alternative solutions to make ends meet, and have started two local businesses to be run by single mothers to increase opportunities for mothers and in turn, reduce the number of children sold into horrific situations.
How were you involved with the organization?
I worked in the small school where the children living with the City of Refuge family were educated and spent my evenings at the home playing with children and helping them with their homework. I also spent time shadowing the founders and through this I learned much about the process.
What do you know about child slavery in Ghana?
Children are targeted as slaves for fishermen for several reasons. First, children are easy to acquire as so many parents are impoverished and feel financially helpless. Second, children’s small hands are ideal for making and untangling fishing nets. When the nets get trapped in trees in the lake, children are sent in the water to untangle them. Unfortunately, this means many of the child slaves are incredibly susceptible to water-borne disease and illness and sadly, some do not know how to swim and may drown in the water. Children who are enslaved receive no form of education or care and spend up to eighteen hours a day working on the lake. They are often fed no more than one meal a day, which frequently consists of just gari, a food made from cassava, soaked in the lake water..
Any advice for travelers going to Ghana?
This is probably true for every country, but just approach everything with an open mind, try new things, immerse yourself in the culture as much as possible.
How can readers help the victims of Child Slavery in Ghana?
Check out City of Refuge for more information.
Other organizations doing good work include Youth Generation Against Poverty (YGAP), an organization that inspires volunteers through creative fundraising opportunities. They have created several projects partnered with City of Refuge.
ELIZABETH TULSKY (photos) Elizabeth is a senior studying social work at NYU. She has always wanted to become a social worker—to make changes and affect people's lives, but when she graduates she plans to travel and work globally, both in Ghana and in other parts of the world. You can contact her at elizabeth@mission.tv
On October 26 we premiered the Streets of Afghanistan exhibition in the village of Istalif, a remote village in the Shomali Plain north of Kabul. Four years ago, I envisioned a collaborative photography exhibition between Afghan photographers and Western photographers that had deep affection for this country. Instead of a gallery show, I imagined surrounding the viewer in the image to bring the art off the wall, and into the viewers world. I wanted to see people’s reaction as they interacted with lifesize images and hoped that it would change American perspectives of Afghanistan—that if we saw it as a country with a beautiful spirit and culture that we would be more invested in it from a humanitarian perspective. More
I saw that vision come full circle as we brought the exhibition TO Afghanistan, among Afghans themselves to surround them with the beauty and spirit of their country and communities. 28 photographs lined the market streets outside of the mosque on the first day of Eid in the village of Istalif and the reaction was nothing short of amazing.
Setting up the exhibition itself was an enormous task. It takes two people to assemble each image in the dusty streets. It takes a lot of muscle and stamina to move the exhibition into place, and alot of ingenuity to keep them in place on 4×4 worthy roads. Luckily our team has that in spades.
Many people expressed their doubt about the feasibility of pulling this off in a country like Afghanistan. Many more questioned the value of taking such a risk for ‘art’. Would Afghans understand it? What’s the point of doing this in a war zone? It’s not worth the risk. What that really means is that they think Afghans aren’t worth the risk. That because this is a country fraught with conflict and poverty that art doesn’t have much importance. I disagree. I think art is all the more important here.
So when I was asked, often, “Is it worth it?”
HELL yes. Beyond a doubt it’s worth it.
Seeing men smile and laugh while pointing at the paintings and talk animatedly with each other, and to have old men in elaborate turbaned and ancient faces tell me “thank you” in halting English makes me prouder than anything I have ever done in this country.
We watched little girls come by and touch the images, interact and smile and laugh with us. We watched young boys look at a photo of a busy Kabul street for 20 minutes as though they were right there – never having been there themselves.
More importantly… we were treated with honor and grace from the entire village that treated us as their guests. Invited to lunch, for tea, and had multiple offers to spend the night with their families. The same response I have been beyond blessed to experience in many other Afghan villages. Proving time and time again, that ‘Hell yes. It’s SO worth it.” I’m honored to bring this show to Afghanistan. I’m honored to showcase another side of Afghanistan back home. Yeah, it’s worth it.
In 2008 Mountain2Mountain launched the Streets of Afghanistan project, facilitating a collaboration of Afghan and Western photographers to document Afghan life through the rarely seen Afghan lens, immersing the viewer in the landscapes and faces of Afghanistan, transporting them directly into the culture and mindset of the country’s people. After touring the U.S. the exhibit of 29, 10×17 photographs now returns to the Afghan people. Follow along as we bring the exhibition back to Afghanistan.
SHANNON GALPIN (words): Fueled by her own experience with violence against women and inspired by becoming a mother, Shannon founded Mountain2Mountain, a nonprofit whose mission is to provide education and opportunities to women in conflict zones. An avid mountain biker continually focused on breaking gender barriers, in 2009 she became the first woman to mountain bike in Afghanistan, a country where the culture does not permit women to ride bikes. A TEDx speaker, she has been featured on Dateline NBC, Huffington Post, and Outside Magazine and is a subject in the documentary film series, MoveShake.
TONY DI ZINNO (images): From passion projects in Afghanistan to behind the scenes documentary films with racing heroes at the Indy 500, photographer Tony Di Zinno, is a self proclaimed photo sherpa. Di Zinno made his bones early in his career on Nike propaganda with print campaigns with the worlds most famous athletes in every category. This former competitive athlete turned concerned photographer makes his home nowadays near Venice, CA and when not on location working on assignment can be found at his old alma teaching as an adjunct professor of Photography and Imaging at his alma mater, the Art Center College of Design.
One can never discount the importance that travel can have on shifting one's life direction. Taylor Conroy is a case in point. After an impactful experience in Kenya and Uganda, he changed his career path in a big way. Taylor has worked in real estate, as a firefighter and in a variety of other commercial pursuits, and after his trip he focused on creating Pocket Change Heroes, the newly launched website building schools around the world, using the power of social media.
Q: What inspired you to go to Kenya and Uganda in the first place, and why there?
A: I wanted to SEE where some money I had put aside for charity would be going, and decide for myself where it would go. I went to Uganda to check out a diary goat project that a friend of a friend had instituted. Kenya was to check out Free The Children's villages. Those were the options I had narrowed down to from North America.
Q: What are the specific issues you saw when you got there, and what surprised you?
A: You name it. Water, sanitation, lack of education, and the thing that surprised me the most... ZERO opportunity. In the West it is generally accepted that if you try hard enough, if you work hard enough, if you go for it long enough, you will make it. Or maybe I should say that the chance is there that you might "make it". What I saw in Uganda and Kenya was what we called the global lottery system. The people I met in the small villages in the Rwenzori Mountains in Uganda don't just have it hard. They have no choice, and in most cases, no way to make their life better. They have ZERO opportunity.
Q: What advice would you give to someone considering a volunteer trip or traveling outside of their comfort zone?
A: Stop considering it and book it. Period. Don’t wait for every single thing to line up. GO.
TAYLOR CONROY (@destroynormal): Taylor is the founder of 'Change Heroes' and 'Destroy Normal Consulting', which focus on innovative philanthropy and building projects like schools, wells, and libraries all over the developing world. His most recent efforts have seen schools funded in India, Nepal, Kenya, Sierra Leone, and Tanzania, impacting over 30,000 children. He has set foot on every continent, dozens of countries, and has worked as a professional fire fighter, real estate broker, and currently as an avid social entrepreneur.
I've been making street art since 2009 and have traveled to 13 countries to focus on children who are homeless and living on the street. I make cardboard cutouts that I mount to walls with high tack mounting tape or propped up as stand alone pieces. If no one removes them from the streets, the pieces will decay and be destroyed by the harsh environment. If someone does take it, then they can keep it in their home. If it survives, there is hope for them to continue on as pieces of art, just like there is hope for the actual homeless and street kids.
During my last trip to Asia I stayed in an orphanage in northern Thailand and got to know the kids there. I spent two months with them, listening to their stories, and then I represented these young people in this body of my recent work.
The most memorable stories were of two children named Chai and Lee, who were so malnourished that their little stomachs were swollen when they first came to the orphanage. To get food they would steal the offerings to Buddha in their tribal villages. With this money they would buy snacks, since the only thing they had to eat was white rice, which has hardly any nutritional value.
The piece with the arrows (below) is about how Chai had a lot of things in life thrown at him, trying to destroy him, but instead, he focused on the beauty in life. The main thing I learned from this trip is that children find beauty and can reveal it to the rest of us.
MICHAEL AARON WILLIAMS : My art is a narrative, visual poetry, making a
social statement to move the viewer to action or realization. An
important part of my work focuses on the street, the place where
people live their daily lives. This allows me to interact with an
audience on their own turf and observe how they react to the art; it
is a social experiment. These open-air installations focus on the
ephemeral state of street people and enable the viewer to participate
in the outcome of the pieces, whether the viewer leaves or saves them
from the street. My goal in depicting street people is to show their
beauty, fragility, and to bring their situation into the eyes of the
viewer, refusing to let them be forgotten or ignored.
It was 130 degrees when I was first introduced to the brick kilns of Nepal. In these severe temperatures, men, women, and children -- whole families, in fact -- were surrounded by a dense cloud of dust while mechanically stacking bricks on their heads, carrying them, 18 at a time, from the scorching kilns to trucks hundreds of yards away.
These are slaves. Deadened by monotony and exhaustion, they worked without speaking, repeating the same task 16 hours a day. They took no rest for food or water, no bathroom breaks -- although their dehydration suppressed their need to urinate.
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Around the world human traffickers trick many people into slavery by false promises of good jobs or good education, only to find themselves forced to work without pay, under the threat of violence. Trapped by phony debt, these slaves are hunted by local police and private security guards if they try to escape. Sometimes slaves don't even understand that they're enslaved, despite people working 16 or 17 hours a day with no pay. They're simply used to it as something they've been doing their whole lives. Their bodies grow weak and vulnerable to disease, but they have nothing to compare their experience to.
For the last 28 years I have documented people in more than 100 countries on six continents. In 2009, at the Vancouver Peace Summit, I met a supporter of Free the Slaves, an NGO dedicated to eradicating modern-day slavery; weeks later, I flew down to Los Angeles and met with the director of Free the Slaves; thus began my journey into exploring modern-day slavery.
Oddly, I'd been to most of the locations where I started photographing slavery many times before. I even considered some of them homes-away-from-home. But there can be dark corners in familiar places.
These are not images of "problems." They're images of people. There are 27 million slaves in the world today: That's more than double the number of people taken from Africa during the entire transatlantic slave trade. A hundred and fifty years ago, an average agricultural slave cost over three times the average yearly wage of an American worker, about US$50,000 in today's money. Yet now, entire families can be enslaved for generations over a debt as small as $18. Slavery is illegal everywhere, but it exists all over the world. — Lisa Kristine
THIS MATERIAL WAS PREVIOUSLY PUBLISHED IN THE ATLANTIC.
Lisa Kristine is a humanitarian photographer who specializes in images of remote indigenous cultures. Lisa's most recent focus has been documenting modern day slavery and collaborating with NGOs in this effort. By purchasing one of her prints or slavery book or soon-to-be poster a percentage of proceeds will go toward fighting slavery. Her work may be found at www.lisakristine.com.
In the Northern Amhara region of Ethiopia, two girls, ages 11 and 8, prepare for their
marriage celebration. These pre-adolescent brides are about to be sold to men many years
their senior. While in global decline, child marriage is still apparent in Ethiopia, with
families selling their daughters into marriage as young as age five. The legal marriage age of 18 is widely ignored and 48% of rural women are married before the age of 15. In 2006, photographer Guy Calaf moved to Ethiopia. During his travels he photographed the young brides and their families. More
Child marriage, which is broadly defined as marriage before the age of 18, is a practice
that still exists in sub-Saharan, West, East and North Africa, South Asia, Latin America,
the Middle East, Caribbean and even in some communities in Europe such as areas of
France and North America with some U.S. states legally allowing children to marry
under the age of 18 with parental consent. Children who are married off are often forced
into the union and because of this it can also be referred to as forced marriage.
While this practice might be seen as abhorrent in many cultures, in these
communities, many families continue the practice because it is what they believe to be
in their children’s best interest, or even, what they feel they must do to survive in cases
of extreme poverty.
According to Pathfinder International, poverty is a defining factor
as to why child marriage still exists. Giving a daughter away to marriage allows families
to reduce expenses and in some traditions, receiving a dowry or bride price is common
practice. Children coming from poor families are about twice as likely to marry before
18 as those from wealthier families. Child marriage is also deeply rooted in the traditions
of these communities, with some families seeking to maintain family status within
them. This is tied to the success of their children and when a daughter gets married, it is
representative of her success. In many cultures, if a woman becomes too old for marriage
it would mean a failure on part of their parents and be a risk her to her survival.
(All names have been fictionalized to protect the identities of the subjects.)
One mist-covered morning a lone woman pushes a cart through an empty alleyway. The nearby hustle and bustle of the Sunday market in Bac Ha can be heard from the crowds of villagers purchasing fare like cabbage, chillis and fresh eggs from the market stalls. Colorful hand-crafted goods from the Hmong people who reside in the area can be found laid out in brilliant patterns across the dirt as groups of passersby gather around tables to enjoy a market meal. Street photographer Mark Carey traveled to Hanoi and the Sapa Region of Vietnam in October 2011 where he visited Bac Ha and the Sunday market to document the intricacies of life in the area.
At 8:30 am the streets are crowded after the Islamic call to prayer. The echo
of gunfire in the distance is a normal, and seemingly daily occurrence, in present day
Mogadishu. Pick up trucks armed with groups of men carrying machine guns firing
rounds to hurry along busy traffic is common, and it carries on throughout the day and
into the bat-studded night sky. Mogadishu has been called the most dangerous city on
earth and the country has been wrought with civil war between Islamist extremists and a
failing government since 1991. Since then there has been no central government control
over the country’s territory and the region has been stricken with devastating violence
and famine. There are an estimated 3.7 million Somali’s living without enough food and
the rate of malnutrition is approximately 50%, the highest in the world. It’s difficult
for aid agencies to gain access into Somalia because many have been blocked by al-Shabab—the Somali cell of al-Qaeda—leaving nearly a quarter million people trapped
without access to food. Photographer Anthony Karen ventured to Somalia’s capital in
January 2012 to document the daily life of the people who call the war-torn country home
and to visit the the Dadaab refugee camp on the Kenyan-Somali border.
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Famine in Somalia
The United Nations declares a famine when 20% of households face severe food
shortages. more than 30 % of the population is malnourished, and two out of every
10,000 people die from hunger each day. In July 2011, in the midst of the worst drought
the country had seen in more than 60 years, the UN officially declared a famine in
Somalia. The anti-Western, al-Qaeda linked militant group, al-Shabab made the situation
worse, banning Western aid agencies from entering the territory and subsequently
blocking starving individuals from gaining access to food. Al-Shabab has accused foreign
aid workers of being spies as well as killed and kidnapped workers. The group has also
diverted food supplies for themselves, leaving starving Somalis without any options and
aid organizations in a tricky spot.
In February 2012, the UN declared the famine in Somalia to be over, but the country
still remains in crisis with widespread hunger and violence. Since the collapse of its
central government two decades ago and the civil war that ensued in 1991, Somalia
has been faced with myriad disasters and has ranked as one of the poorest, most violent
countries on earth. Last year, a drought killed livestock and farms which spiked death
and malnutrition rates. Desperate Somalis trekked across the desert in search of aid
and some arrived in Kenyan refugee camps while the few hospitals in Mogadishu were
overcrowded with malnourished people affected by famine and violence.
The United Nations helped to raise more than $1 billion for relief efforts across Somalia
and organizations such as the Turkish Red Crescent Society and The World Food
Program have been working towards providing humanitarian relief in the country. Also,
with the help of heavy rains in November, famine conditions began to subside in some
parts of the country. However, the crisis is far from over and violence, instability and
hunger is still widespread across Somalia.
The Turkish Red Crescent Society is a humanitarian organization that has been
working to provide relief in Somalia. For more information, visit: www.kizilay.org.tr/english/
Doctors Without Borders/Médecins Sans Frontières (MSF) is a leading humanitarian
organization that provides medical care to people caught in crises. They work within
over 60 countries and remain the main provider for free medical services in central and
southern Somalia.
The World Food Programme reaches up to 1.3 million peopole with food relief to areas
of Somalia which they have access to including, Mogadishu, Puntland, Somaliland,
central regions and some border areas of the south. They have increased their nutrition
programs to treat and prevent malnutrition.
Beyond merely conducting workshops to educate youth about musical production, the organization has branched into workshops video production and has collaborated with local music festivals to further enhance the youth’s experience, and empowerment. Turning Tables also commits itself to the training of local staff, to ensure their facilities remain operational with the intention of self-sufficiency down the road.
Currently, Turning Tables is conducting an international online fundraising campaign for Cambodian street youth, many of whom are former child prostitutes. “Our expectation is that, with the fundraising campaign, will be able to train about 800 vulnerable Cambodian kids for a year, and create a strong outreach program to reach more at-risk youth.” — Martin Jakobson (Founder + Director)
This photo essay takes you to Turning Tables on site locations of Tunisia, Haiti, Libya, Cambodia and Egypt, displaying the many areas, and countless youth who have been powered through their inspired mission. Connect with Turning Tables here, and check out their crowd funded effort for the Cambodian youth on indiegogo.
ANDREW BRIDGE is a global enthusiast with a passion for the road less traveled. As a frequent collaborator with World Hip Hop Market and Nomadic Wax, Andrew has worked with numerous socially conscious artists from around the world in the pursuit of inspiring cultural understanding and exchange through entertainment. This fascination with the world at large has taken him to over 20 countries (so far) through studying, volunteering, and writing about his travels, with no signs of slowing his globetrotting nature down. Connect with Andrew at @Bridgin_TheGap